ABSTRACT

This edited collection, including contributors from the disciplines of art history, film studies, cultural geography and cultural anthropology, explores ways in which islands in the north of England and Scotland have provided space for a variety of visual-cultural practices and forms of creative expression which have informed our understanding of the world. Simultaneously, the chapters reflect upon the importance of these islands as a space in which, and with which, to contemplate the pressures and the possibilities within contemporary society. This book makes a timely and original contribution to the developing field of island studies, and will be of interest to scholars studying issues of place, community and the peripheries.

chapter |10 pages

Introduction

chapter 2|20 pages

‘Stones hard’ and a ‘sea like glass’

Orwell’s Island Pastoral

chapter 4|13 pages

‘A hesitation of the tide’

Lindisfarne, Iona, Venice

chapter 5|17 pages

‘All is lithogenesis’

Contemporary Memorials on the Isle of Lewis

chapter 6|18 pages

Mac, Son of William McTaggart

Time Travelling Children in Gaelic Island Films

chapter 7|15 pages

Fantasy Islands of the Cinematic and Televisual North

Genre and the Location of Anxiety

chapter 8|18 pages

Shetland on YouTube

Youth Film in the Northern Isles

chapter 9|15 pages

Drawn Together

Patterning Holy Island

chapter 10|20 pages

Views over the Sound

Imagining (Northern) Isles as Grounds for Alternative Narratives of Becoming non-Modern