ABSTRACT

"This book is the first to explore the interaction of three media in contemporary Spain. Focusing on some of the best known and most important books, feature films, and television series in the country (including novelist Antonio Munoz Molina, director Pedro Almodovar, and the Spanish version of telenovela Ugly Betty), it addresses three pairs of linked issues central to Hispanic studies and beyond: history and memory, authority and society, and genre and transitivity. Much of the material is very recent and thus as yet unstudied. The book also focuses on the representation of gender, sexuality, and transnationalism in these texts. Drawing on approaches from both the humanities and social sciences it combines close readings of key texts with the analysis of production processes, media institutions, audiences, and reception."

chapter |4 pages

Introduction

Spanish Practices

part I|42 pages

Literature: History and Memory

chapter 1|14 pages

Winners and Losers in Cinema and Memoirs

Emilio Martínez Lázaro's Las 13 rosas (‘The 13 Roses’, 2007) and Esther Tusquets’ Habíamos ganado la guerra (‘We Had Won the War’, 2007)

chapter 2|14 pages

Resuscitating Franco in Popular Narrative and Television

Vizcaíno Casas's ... Y al tercer año resucitó (‘And in the Third Year He Rose Again’, 1978) and Cuéntame cómo pasó (‘Tell Me How It Happened’, TVE 2001-)

chapter 3|13 pages

The Audiovisual Transition

Cinema, Television, and Muñoz Molina's El jinete polaco ('The Polish Horseman', 1991)

part II|46 pages

Cinema: Authority and Society

chapter 4|12 pages

A Question of Queer Authorship

Almodóvar's Unpublished Short Stories (1973)

chapter 5|19 pages

Spanish Cinema's Missing Children

Juan Antonio Bayona's El orfanato (‘The Orphanage', 2007) and Jaime Rosales' La soledad (‘Solitary Fragments', 2007)

chapter 6|14 pages

Re-presenting the Others

Cinema and Television on Ethnicity and Immigration

part III|69 pages

Television: Genre and Transitivity

chapter 7|16 pages

Re-visions of Teresa

Josefina Molina's Teresa de Jesús (TVE, 1984) and Ray Loriga's Teresa: el cuerpo de Cristo (‘Teresa, the Body of Christ’, 2007)

chapter 8|25 pages

Hybrid Fictions

Television Comedy between Soap Opera and Pseudo-documentary: Los Serrano (Tele 5, 2003-08] and Camera café [‘Coffee Cam’, Tele 5, 2005-09]

chapter 9|23 pages

Travelling Narratives and Transitional Life Strategies

Yo soy Bea (‘I Am Bea’, Tele 5, 2006-08) and Ugly Betty (ABC, 2006-10)

chapter |3 pages

Conclusion

Literature, Cinema, Television