ABSTRACT
Music in Action Film is the first volume to address the central role of music and sound in action film—arguably the most dominant form of commercial cinema today.
Bringing together 15 essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies.
Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.
TABLE OF CONTENTS
part I|95 pages
Action Scored
chapter 2|19 pages
“You’re Not Gonna Get Mushy on Me, Are You?”
chapter 4|19 pages
Reviving the Swordplay Action Film
chapter 5|18 pages
Conan the Neoliberal?
part II|104 pages
Action Scores
chapter 6|17 pages
Underscoring Chased Heroes and Robbing Villains
chapter 8|16 pages
“There and Back Again”
chapter 10|20 pages
A Tale of Two Cinemas
part III|91 pages
Scoring Action
