ABSTRACT

This volume brings together a selection of lectures and essays in which J.A. Burrow discusses the work of English poets of the late fourteenth and early fifteenth centuries: Chaucer, Gower, Langland, and Hoccleve, as well as the anonymous authors of Pearl, Saint Erkenwald, and a pair of metrical romances. Six of the pieces address general issues, with some reference to French and Italian writings ('Autobiographical Poetry in the Middle Ages', for example, or 'The Poet and the Book'); but most of them concentrate on particular English poems, such as Chaucer's Envoy to Scogan, Gower's Confessio Amantis, Langland's Piers Plowman, and Hoccleve's Series. Although some of the essays take account of the poet's life and times ('Chaucer as Petitioner', 'Hoccleve and the 'Court''), most are mainly concerned with the meaning and structure of the poems. What, for example, does the hero of Ipomadon hope to achieve by fighting, as he always does, incognito? Why do the stories in Piers Plowman all peter out so inconclusively? And how can it be that the narrator in Chaucer's Book of the Duchess so persistently fails to understand what he is told?

chapter I|30 pages

Thinking in Poetry: Three Medieval

chapter II|16 pages

The Poet and the Book

chapter IV|22 pages

The Languages of Medieval England

chapter VI|21 pages

Poems Without Endings

chapter VIII|15 pages

Vituperations in Chaucer’S Poetry

chapter X|8 pages

Chaucer as Petitioner: Three Poems

chapter XII|12 pages

Gower’s Poetic Styles

chapter XIII|11 pages

The Endings of Stories in Piers Plowman

chapter XIV|6 pages

Lady Meed and the Power of Money

chapter XVII|11 pages

Hoccleve and the ‘Court’

chapter XVIII|15 pages

Hoccleve and the Middle French Poets

chapter XIX|15 pages

An Eighteenth-Century Edition of Hoccleve *

chapter XXI|15 pages

The fourteenth-century Arthur

chapter XXII|11 pages

The Avowing of King Arthur

chapter XXIII|10 pages

The Uses of Incognito: Ipomadon A