ABSTRACT

Screenwriting With a Conscience: Ethics for Screenwriters is for screenwriters who care deeply about what they write; who are aware that movie images matter and can influence audiences; and who want to create meaningful screenplays that make powerful statements while entertaining and winning over audiences. A user-friendly guide to ethical screenwriting, this book makes the case that social responsibility is endemic to public art while it emphatically champions First Amendment rights and condemns censorship.

In this dynamic and practical volume, author Marilyn Beker provides methods for self-assessment of values, ideas, and ethical stances, and demonstrates the application of these values to the development of plot, character, and dialogue. Screenwriters are introduced to ethical decision making models and shown--through specific film examples--how they can be utilized in plot and character development. In addition, specific techniques and exercises are supplied to help screenwriters determine the difference between "good" and "evil," to write realistic and compelling characters based on this determination, and to present "messages" and write dialogue powerfully without preaching. This book also puts forth a livable work philosophy for dealing with the ethics of the screenwriting business, and presents a viable personal philosophy for surviving in the screenwriting world.

Screenwriting With a Conscience: Ethics for Screenwriters is an indispensible, dynamic guide for the ethics-conscious screenwriter. It is intended for screenwriters at the student and professional level, and is appropriate for beginning to graduate screenwriting courses in film and English programs, and for film courses dealing with Ethics in the Media.

chapter |2 pages

INTRODUCTION

chapter |12 pages

THINKING BEFORE WRITING

part |2 pages

PART I WHY??

chapter |3 pages

ETHICS? FOR SCREENWRITERS????

chapter |7 pages

MESSAGE AND MEANING

chapter |21 pages

THE CERTAINTY OF WHY

chapter |3 pages

SOCIAL RESPONSIBILITY

chapter |6 pages

WHAT’S ART GOT TO DO WITH IT?

part |2 pages

PART II THE CERTAINTY OF WHAT: ANYTHING GOES?

chapter |15 pages

A GLIMPSE OF STOCKING

chapter |8 pages

SOMETHING SHOCKING

chapter |10 pages

WHERE HAVE ALL THE ELDERS GONE?

chapter |3 pages

CONSCIENCE

part |2 pages

PART III WHAT REALLY MATTERS

chapter |11 pages

WHAT’S IT WORTH?

chapter |7 pages

THE GOOD, THE BAD, THE BLURRY

chapter |18 pages

NOTHING LEFT TO CHANCE

chapter |2 pages

PART IV WHITE HATS, BLACK HATS

chapter |6 pages

WHITE HATS, BLACK HATS

chapter |11 pages

GOOD

chapter |8 pages

BAD

chapter |4 pages

THE VILLANERO

chapter |10 pages

PRACTICAL WRITING TECHNIQUES

chapter |6 pages

ANGELIC ACTS, DASTARDLY DEEDS

chapter |4 pages

CRIME AND PUNISHMENT

chapter |9 pages

SPECIAL CIRCUMSTANCES

part |2 pages

PART V KILLING THE MESSENGER

chapter |8 pages

NO SERMONS

chapter |14 pages

WORDS OF WISDOM

part |2 pages

PART VI HAVING WRITTEN AND WRITING MORE

chapter |10 pages

WHAT’S THE IDEA?

chapter |13 pages

ALL’S FAIR IN LOVE, WAR, AND SHOWBIZ?

chapter |3 pages

COURAGE

chapter |2 pages

CONCLUSION

chapter |2 pages

AN ETHICS CHECK LIST

chapter |1 pages

ONLY THE BEGINNING

chapter |3 pages

ACKNOWLEDGMENTS