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Book

Music in the Horror Film

Book

Music in the Horror Film

DOI link for Music in the Horror Film

Music in the Horror Film book

Listening to Fear

Music in the Horror Film

DOI link for Music in the Horror Film

Music in the Horror Film book

Listening to Fear
Edited ByNeil Lerner
Edition 1st Edition
First Published 2009
eBook Published 18 December 2009
Pub. Location New York
Imprint Routledge
DOI https://doi.org/10.4324/9780203860311
Pages 256
eBook ISBN 9780203860311
Subjects Arts, Humanities
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Lerner, N. (Ed.). (2009). Music in the Horror Film: Listening to Fear (1st ed.). Routledge. https://doi.org/10.4324/9780203860311

ABSTRACT

Music in Horror Film is a collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. Frightening images and ideas can be made even more intense when accompanied with frightening musical sounds, and music in horror film frequently makes its audience feel threatened and uncomfortable through its sudden stinger chords and other shock effects. The essays in this collection address the presence of music in horror films and their potency within them. With contributions from scholars across the disciplines of music and film studies, these essays delve into blockbusters like The Exorcist, The Shining, and The Sixth Sense together with lesser known but still important films like Carnival of Souls and The Last House on the Left. By leading us with the ear to hear these films in new ways, these essays allow us to see horror films with fresh eyes.

TABLE OF CONTENTS

chapter 1|20 pages

Carnival of Souls and the Organs of Horror

ByJULIE BROWN

chapter 2|17 pages

Mischief Afoot: Supernatural Horror-comedies and the Diabolus in Musica

ByJANET K. HALFYARD

chapter 3|17 pages

The Monster and the Music Box: Children and the Soundtrack of Horror

BySTAN LINK

chapter 4|25 pages

The Strange Case of Rouben Mamoulian’s Sound Stew: The Uncanny Soundtrack in Dr. Jekyll and Mr. Hyde (1931)

ByNEIL LERNER

chapter 5|18 pages

Voices That Lie Within: The Heard and Unheard in Psycho

ByROSS J . FENIMORE

chapter 6|16 pages

Pop Goes the Horror Score: Left Alone in The Last House on the Left

ByJOE TOMPKINS

chapter 7|19 pages

Ramblin’ Men and Piano Men: Crises of Music and Masculinity in The Exorcist

ByCLAIRE SISCO KING

chapter 8|19 pages

Rehearing The Shining: Musical Undercurrents in the Overlook Hotel

ByDAVID J . CODE

chapter 9|16 pages

Hearing Deep Seated Fears: John Carpenter’s The Fog (1980)

ByK. J . DONNELLY

chapter 10|19 pages

Music and the Adult Ideal in A Nightmare on Elm Street

ByElm Street JAMES BUHLER

chapter 11|19 pages

The Beauty of Horror: Kilar, Coppola, and Dracula

ByJAMES DEAVILLE

chapter 12|19 pages

Quieting the Ghosts in The Sixth Sense and The Others

ByLLOYD WHITESELL
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