ABSTRACT

This exciting and original volume offers the first comprehensive critical study of the recent profusion of European films and television addressing sexual migration and seeking to capture the lives and experiences of LGBTIQ+ migrants and refugees.

Queering the Migrant in Contemporary European Cinema argues that embodied cinematic representations of the queer migrant, even if at times highly ambivalent and contentious, constitute an urgent new repertoire of queer subjectivities and socialities that serve to undermine the patrolled borders of gender and sexuality, nationhood and citizenship, and refigure or queer fixed notions and universals of identity like ‘Europe’ and national belonging based on the model of the family. At stake ethically and politically is the elaboration of a ‘transborder’ consciousness and aesthetics that counters the homonationalist, xenophobic and homo/trans-phobic representation of the ‘migrant to Europe’ figure rooted in the toxic binaries of othering (the good vs bad migrant, host vs guest, indigenous vs foreigner). 

Bringing together 16 contributors working in different national film traditions and embracing multiple theoretical perspectives, this powerful and timely collection will be of major interest to both specialists and students in Film and Media Studies, Gender and Queer Studies, Migration/Mobility Studies, Cultural Studies, and Aesthetics.

part |29 pages

Introduction

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chapter 1|27 pages

Queering the migrant

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Being beyond borders
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part I|69 pages

Trans/migration of bodies and borders

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chapter 2|14 pages

The ghostly queer migrant

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Queering time, place, and family in contemporary German cinema
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chapter 3|12 pages

Trans-ing gender boundaries and national borders

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Rethinking identity in Merzak Allouache’s Chouchou (2003) and Angelina Maccarone’s Fremde Haut/Unveiled (2005)
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chapter 5|15 pages

Queering the cinematic field

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Migrant love and rural beauty in God’s Own Country (2017) and A Moment in the Reeds (2017)
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chapter 6|13 pages

Facing the queer migrant in Nordic Noir

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part II|55 pages

Refuge, (non-)hospitality, and (anti-)utopia

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chapter 7|12 pages

Post-communist and queer

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Eastern European queer migrants on screen
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chapter 8|14 pages

Eastern Boys (2013)

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Hospitality, trauma, kinship, and the state
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chapter 9|12 pages

Almost haven

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Queer migrants’ temporary refuge in Tel Aviv in Paper Dolls (2006), The Bubble (2006), and Out in the Dark (2012)
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chapter 10|15 pages

We are all in Xenialand

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Queer poetics, citizenship, and hospitality in Panos H. Koutras’s Xenia (2014)
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part III|72 pages

Space, belonging, and (anti-)sociality

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chapter 11|12 pages

Inner exiles

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Migrant representation and queer belongings in recent Irish films
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chapter 12|17 pages

From migration to drift

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Forging queer migrant spaces and transborder relations in contemporary French cinema
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chapter 14|14 pages

Inside out

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Invaders, migrants, borders, and queering the Belgian family
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chapter 15|14 pages

Integration, perforce?

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(De)queering, (de)abjectifying, and victimising the migrant and minority figure in contemporary European cinema
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part IV|14 pages

Curating queer migrant cinema

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chapter 16|12 pages

Curating queer migrant cinema

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Interview between Sudeep Dasgupta and James S. Williams 1
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