ABSTRACT

Museums and Digital Confidence explores the evolving nature of digital practices in museums. It interrogates the skills, literacies, and mindsets that can support the use of digital technologies within these institutions. It also reflects on why digital adoption has faltered (at times), why digital continues to matter, and how the digital museum may flourish into the future.

Underscored by national and international research, this edited volume brings together leading experts from museology, museum management and curation, organisational studies, and cultural policy to outline a new framing of museum digital confidence. It does so by offering a series of critically engaged perspectives derived from a range of practices that reveal how museums have managed to successfully re-orient themselves in order to not only face but also embrace the ongoing challenges presented by the highly interconnected, media-pervasive, and technologised world to which contemporary museums must continually adapt. This book presents a set of ‘framings’ to help museums clarify how they can work purposefully, productively, and sustainably with digital at an organisational level, in terms of managing collections, and through curating public-facing exhibitions and programmes.

Museums and Digital Confidence shares insights that will be essential reading for students, researchers, and museum practitioners who are interested in better understanding – and acting upon – the digital transformation of museums.

chapter |4 pages

Introduction

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Museums and Digital Confidence
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section I|53 pages

Organisation

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chapter 3|16 pages

Digital Labour Is Emotional Labour

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section II|48 pages

Collection

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chapter 4|15 pages

Knowledge and skills for digital curation

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section III|39 pages

Interface

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chapter 7|11 pages

Whose production house of culture?

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Re-examining curatorial practice in the distributed museum
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chapter 8|15 pages

Curatorial confidence

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Balancing caring for the needs of artworks and the needs of audiences in our time of digital technology overload
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chapter 9|11 pages

Postdigitality and Museum Confidences

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Reflecting upon Jaad Kuujus' Wrapped in the Cloud
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