ABSTRACT
The Museum Accessibility Spectrum engages with discussions around access to museums and argues that what is impairing the progress of museums towards inclusion is the current ableist model of access.
Drawing on contributors from international museum researchers, practitioners, artists, and activists, this volume challenges the notion of the core ‘able’ museum visitor and instead proposes all individuals are positioned on a multidimensional Accessibility Spectrum, which incorporates intersecting physical, sensory, neurodivergent, and social and cultural dimensions. It explores the ways in which access provisions designed to enhance the experience of a minority can enhance the museum experience for all visitors. A constructively critical approach is taken to practice-based chapters, using case studies and approaches from around the globe, split into three main sections. Within the Disability Gain section, the authors consider the benefits of inclusive design, perspectives, and practice for all visitors to the museum sector. The Social and Cultural Inclusion section examines ways in which museums have broadened representation and participation to better serve audiences who have been excluded, or 'underrepresented' by the museums. Finally, the Agents of Social Change section considers how, with this work, museums are challenging systemic biases and exclusions. The international, cross-disciplinary contributions in this volume are driven by research-informed practice and will transform existing thinking to change future practice within the museum sector by challenging this ableist bias.
This book will be of interest and importance not only to museum practitioners and researchers, but also to readers with an interest in cultural studies, critical disability studies, translation studies, and inclusive and universal design.
The Open Access version of this book, available at https://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
TABLE OF CONTENTS
part Section 1|26 pages
Introduction
chapter 1|8 pages
The museum accessibility spectrum
part Section 2|76 pages
Disability Gain
chapter 3|18 pages
Feeling Our Way
chapter 4|15 pages
Developing the Gallery Calm Room
chapter 5|12 pages
French 19th-century art writing as audio description
chapter 6|16 pages
Seeing the deaf visitor
part Section 3|76 pages
Social and Cultural Inclusion
chapter 8|14 pages
Social and cultural barriers to inclusion
chapter 9|12 pages
Going through the portal
chapter 10|17 pages
What is a museum? Reframing the power dynamic between museums and audiences
chapter 11|15 pages
Stepping aside
chapter 12|16 pages
The Sacred Cave of Kamukuwaká
part Section 4|96 pages
Agents of Social Change
chapter 13|14 pages
No laughing matter? Reimagining the statuette of a ‘comic’ actor with dwarfism at the British Museum
chapter 14|14 pages
Curating for change
chapter 15|19 pages
Inclusive design and accessibility
chapter 17|20 pages
Museums for equality
chapter 18|15 pages
Social inclusion, cultural participation, and public ruptures at Iziko South African National Gallery
part Section 5|12 pages
Museum Futures
