ABSTRACT

This book offers a compelling intersectional exploration of how disability is understood in relation to citizenship and global critical disability studies across diverse African cultures.

It delves into the transformative power of integrated dance as a medium to challenge and reshape dominant social attitudes toward disability. Through detailed case studies of Dance into Space (Kenya), FLATFOOT and FLATFOOT Downie Dance Companies, Unmute Dance Company (South Africa) and Ugandan choreographer Joseph Tebandeke, the authors examine how contemporary dance can foster inclusive citizenship. Drawing on Foucauldian theory, the book highlights how ‘small moments’ in everyday life may be explored through dance in ways that shift paradigms and redefine ability and belonging. It also analyses the role of networks and festivals in expanding integrated dance that impacts public perception of disability both within Africa and globally.

This book will resonate with students and scholars in theatre studies, disability studies, African studies and critical Black studies, as well as anyone interested in performance as a tool for social change.

part I|74 pages

Framing disability and citizenship through contemporary dance in Africa

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chapter 1|42 pages

A conceptual mapping of the terrain

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Disability and citizenship
Size: 0.23 MB

chapter 2|30 pages

Arts and integrated dance

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The importance of representation and productive risk
Size: 0.19 MB

part II|129 pages

African integrated artists' voices and practices

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chapter 3|18 pages

Ethiopian integrated dance

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Tracing the story
Size: 0.26 MB

chapter 4|28 pages

Joseph Tebandeke (Kampala, Uganda)

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Everyday activisms and the African ‘body beautiful’ in the disability dance practices of Joseph Tebandeke
Size: 0.28 MB

chapter 5|26 pages

Ondiege Matthew and Dance Into Space (Nairobi and Siaya, Kenya)

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Encountering the integrated dance practices of Ondiege Matthew and his ‘body possibilities’
Size: 0.43 MB

chapter 6|28 pages

Unmute Dance (Theatre) Company (Cape Town, South Africa)

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Innovating the dance landscape by engaging aesthetics, risk and the concept of Deaf gain
Size: 0.30 MB

chapter 7|27 pages

Lliane Loots and FLATFOOT DANCE COMPANY (Durban, South Africa)

Title
Evolving dance as a tool to facilitate a ‘living democracy’
Size: 0.30 MB

part III|66 pages

Facilitating encounters between practitioners and diverse publics

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