ABSTRACT

In narratives of literature and cultural production, hope and despair remain fundamental in exploring our world. In recent years, political polarization, the Covid pandemic, global warming, and new and ongoing wars have contributed to global crises, to which despair is an understandable response. Yet hope is continually sought and proclaimed. By examining tropes of ruin and regeneration in a wide selection of narratives including memoir, graphic narratives, fiction, film, art, radio plays, culture, rhetoric, and discourse, the book uncovers resonances between them. The anthology moves from the personal to the collective, addressing individual matters of the body and the mind, societal visions of utopia and dystopia, and, finally, hope and despair for the earth itself in representations of apocalypse and the Anthropocene. This structure, alongside the interdisciplinary nature of the project, maps dynamic international perspectives in which hope and despair flow across and through personal, social, and earthly concerns.

The Open Access version of this book, available at https://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.

chapter |12 pages

Introduction

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part I|56 pages

Individual Matters

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chapter 1|15 pages

“Common, but Not Normal”

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The Narrative of Illness in Duermo mucho [I Sleep a Lot] by Maria Manonelles Ribes
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chapter 2|14 pages

Hope and Despair in the Grey Zone

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Unlikely Solidarities and Friendships in Negotiating Prolonged Incarceration in Sri Lanka's Political Prisons
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chapter 3|13 pages

Spacetime, Tone, and the Sublime

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Hope and Despair in Djuna Barnes' Nightwood
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chapter 4|12 pages

Pessimistic Hope as Rebellion

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Fassbinder's Despair and Utopia
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part II|75 pages

Societal Matters

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chapter 5|15 pages

Trauma Memoir as Dystopian Literature

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chapter 6|14 pages

Climbing Mt. Holyoke

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Emily Dickinson, Mary Lyon, and Woman-Centered Utopias
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chapter 7|15 pages

“Falling Out of the Story”

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Asian American Archives, Cruel Optimism, and Emancipatory Apparatuses in Sally Wen Mao's Oculus and Charles Yu's Interior Chinatown
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chapter 8|14 pages

“End. Begin. All the same …”

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The Ends (and Beginnings) of Worlds in Netflix's The Dark Crystal: Age of Resistance
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chapter 9|15 pages

At the End of History

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Art Practices in Times and Spaces of Modern Ruination
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part III|68 pages

Earthly Matters

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chapter 10|20 pages

Norwegian Futurisms

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Energy Transitions in Young Adult Eco-Dystopian Fiction
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chapter 11|17 pages

Animal Voices in the Apocalypse

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The Animals in That Country and The Ghost of the Cock
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chapter 12|16 pages

Ruins of the Holocene

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Notes on Climate Change and the Rise of Disaster Liberalism
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chapter 13|13 pages

Optimistic versus Ominous

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Competing Rhetorics of Ecological Crisis
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