ABSTRACT

Streaming Europe explores how global streaming services like Netflix, Disney+, and Amazon Prime Video have reshaped the audiovisual landscape across Europe.

Since Netflix’s arrival in 2012, the European media environment has undergone a rapid transformation, affecting every level of the industry—from production and distribution to policy and audience engagement. This book offers the first comprehensive, empirical, and comparative examination of these changes across different European markets. Written by a team of leading media scholars, it balances accessible analysis with evidence-based insights to examine how streamers have altered production practices and business models, shifted established power dynamics, and challenged long-standing broadcasting legacies. The book examines global streamers’ market-entry strategies, the use of diversity and inclusion as competitive positioning, and the tensions between producers over rights retention and local authenticity. It analyses how public and commercial broadcasters across large and small European markets have both emulated Netflix and sought to differentiate themselves from US streamers, and how governments have responded with a patchwork of policy tools such as prominence regulation, quotas, and investment obligations, raising questions about their long-term effectiveness. Finally, it explores how different genres—including teen drama, documentary, European film, scripted television, and web series—both shape and are shaped by global streamers’ evolving strategies.

With its strong foundation in research and pan-European scope, Streaming Europe goes beyond single-country perspectives to present a timely and nuanced understanding of how the streaming revolution is shaping Europe’s cultural industries. It will be highly relevant to researchers in the field of media industries, media economics, audiovisual industries and media policy.

The Open Access version of this book, available at https://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

part 1|42 pages

Setting the scene

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chapter 1|9 pages

Streaming in Europe

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The editors' introduction
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part 2|88 pages

Market and production

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chapter 4|15 pages

Working with global streamers

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Navigating revenue, reach and autonomy in European television production
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chapter 6|16 pages

European original film production for global VOD services

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National continuities and genre revivals
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chapter 7|12 pages

Diversity-on-demand

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Branding difference(s) in European streaming
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chapter 9|15 pages

Reshaping European film distribution

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The influence of streaming services on release windows
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part 3|75 pages

Content and catalogue

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chapter 10|14 pages

Catalogues in context

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Unpacking transnational strategies on streaming services in European markets
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chapter 11|12 pages

Localisation at scale

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Dubbing and subtitling in the age of streaming
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chapter 12|15 pages

The documentary

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From niche genre to streaming darling
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chapter 13|16 pages

Streaming teen television in Europe

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A transnational renaissance?
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chapter 14|16 pages

Short series of Europe

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A subcultural circuit of popular and critically acclaimed filmmaking
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part 4|88 pages

Responses from industry and policy

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chapter 15|15 pages

Strategic responses by public service media to global video streamers

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Practices and key trends in Europe
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chapter 16|13 pages

The search for reach and revenue

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Responses of commercial European broadcasters to streamers
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chapter 17|18 pages

Capturing a fast-moving target

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Regulatory responses to global streamers in Europe
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chapter 18|20 pages

Streaming in the ‘Land of Bad TV’

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The consolidation of the OTT video market in Central and Eastern Europe
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chapter 20|7 pages

Conclusion

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