ABSTRACT

Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society.

chapter |20 pages

Introduction

Title
Worlds, Today
Size: 0.31 MB

part Section 1|62 pages

Theories of World Building

Title

chapter 1|16 pages

The Aesthetics of Proliferation

Title
Size: 0.31 MB

chapter 2|15 pages

Building Science-Fiction Worlds

Title
Size: 0.18 MB

chapter 3|15 pages

“He Doesn't Look Like Sherlock Holmes”

Title
The Truth Value and Existential Status of Fictional Worlds and their Characters
Size: 0.19 MB

chapter 4|14 pages

“Visible World”

Title
The Atlas as a Visual Form of Knowledge and Narrative Paradigm in Contemporary Art 1
Size: 0.27 MB

part Section 2|94 pages

Economies of World Building

Title

chapter 5|16 pages

A World of Disney

Title
Building a Transmedia Storyworld for Mickey and his Friends
Size: 0.19 MB

chapter 6|20 pages

World-Building Logics and Copyright

Title
The Dark Knight and the Great Detective
Size: 0.22 MB

chapter 7|14 pages

Battleworlds

Title
The Management of Multiplicity in the Media Industries
Size: 0.18 MB

chapter 8|21 pages

Platform Producer Meets Game Master

Title
On the Conditions for the Media Mix
Size: 3.44 MB

chapter 9|21 pages

Narrative Ecosystems

Title
A Multidisciplinary Approach to Media Worlds 1
Size: 1.02 MB

part Section 3|66 pages

Immersion

Title

chapter 10|17 pages

The Building and Blurring of Worlds

Title
Sound, Space, and Complex Narrative Cinema
Size: 0.87 MB

chapter 11|11 pages

Beyond Immersion

Title
Absorption, Saturation, and Overflow in the Building of Imaginary Worlds
Size: 0.16 MB

chapter 12|16 pages

Zombie Escape and Survival Plans

Title
Mapping the Transmedial World of the Dead
Size: 0.19 MB
Size: 0.22 MB

part Section 4|68 pages

Media as World-Building Devices

Title

chapter 14|19 pages

The Worries of the World(s)

Title
Cartoons and Cinema
Size: 0.21 MB

chapter 15|15 pages

Linguistic Terrain and World Time

Title
Chinese Media Theories and Their World Imaginations
Size: 0.19 MB

chapter 16|17 pages

The Worlds Align

Title
Media Convergence and Complementary Storyworlds in Marvel's Thor: The Dark World Dru Jeffries
Size: 0.72 MB

chapter 17|15 pages

World Building and Metafiction in Contemporary Comic Books

Title
Metalepsis and Figurative Process of Graphic Fiction
Size: 0.28 MB

part Section 5|74 pages

Appropriations and Fan Practices

Title

chapter 18|22 pages

The Monster at the End of This Book

Title
Metalepsis, Fandom, and World Making in Contemporary TV Series
Size: 2.31 MB

chapter 19|19 pages

Traversing the “Whoniverse”

Title
Doctor Who's Hyperdiegesis and Transmedia Discontinuity/Diachrony
Size: 0.21 MB

chapter 21|16 pages

The Politics of World Building

Title
Heteroglossia in Janelle Monáe's Afrofuturist WondaLand
Size: 0.28 MB