ABSTRACT
The 1919 May Fourth movement was the breeding ground for experiments by authors inspired by new world literary trends. Under Mao Zedong, folk songs accompanied political campaigns such as the Great Leap Forward. Misty Poetry of the 1980s contributed to the humanistic discourse of the post-Mao reform era. The most recent stage in Chinese poetry resonates with contemporary concerns, such as technological innovation, environmental degradation, socio-political transformations, and the return of geopolitical Cold War divisions. In search of creative responses to the crisis, poets frequently revisit the past while holding on to their poetic language of self-reflection and social critique. This volume identifies three foci in contemporary poetry discourses: formal crossovers, multiple realities, and liquid boundaries. These three themes often intersect within texts from mainland China, Hong Kong and Taiwan discussed in the book.
TABLE OF CONTENTS
part I|108 pages
Multiple Realities
chapter 1|21 pages
The Death of Transnational Time: Locality, Reader Response, and the Strange Loop
chapter 2|20 pages
Redefining Family Women: The Ecofeminist Poetics of Shu Ting and Wang Xiaoni
chapter 3|24 pages
“Green mountains, green history, who will bear witness?” A Woman's Montage: Zhai Yongming's Following Huang Gongwang Through the Fuchun Mountains
chapter 4|22 pages
Deep Lyricism: Yu Jian's “On the Ancient Road of Hubei's Xishui County: A Detour”
chapter 5|20 pages
From a Poetry Popsicle to a Polymathic Herstorian: Xiao Bing's Alternative Worlds Through the Lens of Critical Code Studies
part II|100 pages
Formal Crossovers
chapter 7|20 pages
Ma Junwu's Reinvented Lyricism: Revolutionary Landscape, Romanticism, Science Fiction, and Darwinian Geology
chapter 8|19 pages
To “World Poetry” and Back: Xutang's Classicist Lyricism and the Ethnic Digital Bookshelf
part III|100 pages
Liquid Boundaries
