ABSTRACT

This book addresses the growing awareness of the historical collections of film and media devices in film archives and media museums. Over thirty experts reflect on the prominent roles media technologies play in a range of social, cultural, curatorial, and educational practices as well as in storage, presentation, and research strategies, looking beyond the more customary range of debates to consider postcolonial issues and include voices from the Global South. Together their contributions investigate how media awareness impacts not only the strategies of media use, but also the archival and curatorial consciousnesses of those working in film and media archives, and at science, technology and media museums, as well as educationists, filmmakers and audiences in general.

chapter |11 pages

Introduction

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part I|121 pages

Small and Portable

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chapter Chapter 3|14 pages

Camera Obscura

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chapter Chapter 5|12 pages

Teaching from the Archive in Black-and-White 35mm

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Analogue Nostalgia in Post-Apartheid South Africa
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chapter Chapter 7|10 pages

How to Re-Activate the Endangered Archive of a Historical Science Film Festival

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A Speculative Approach
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chapter Chapter 9|14 pages

The Homemade Film Projector

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chapter Chapter 11|11 pages

Double Vision

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William Kentridge and the Stereoscope
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part II|88 pages

Medium and Not Easily Portable

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chapter Chapter 12|11 pages

The Mazo Cinématographe Mixte

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A Hybrid Media Apparatus
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chapter Chapter 13|13 pages

Bending Efforts and Beams

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The Use of the CRT Projector in Video Art Installations
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chapter Chapter 14|11 pages

A Projectionist and His Percepto

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Personal Archives and Embodied Film Education
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chapter Chapter 16|10 pages

Nostalgia

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Emulation as a Service
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chapter Chapter 17|13 pages

Caring for Obsolete Technology “in the Wild”

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Former Users as Caregivers in the Maintenance and Repair of the U-Matic Video System
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chapter Chapter 18|12 pages

The Anabasis of Super 8

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part III|103 pages

Large

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chapter Chapter 20|14 pages

Jan Bot

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Exposing the Bits & Pieces Collection Using AI and Algorithmic Montage
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chapter Chapter 21|14 pages

Moving on a Budget

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The Mahlase-Roodt Eco Dolly
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chapter Chapter 22|15 pages

Rear Projection in Brazilian Silent Movie Theatres

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Sobrados, Wet Screens and Alternative Media History
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chapter Chapter 23|12 pages

Empowerment or Digital Colonialism?

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Indigenous Virtual Reality in Colombia's Sierra Nevada de Santa Marta
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chapter Chapter 24|12 pages

Sensing Film Archival Data

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The Film Catcher
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chapter Chapter 25|13 pages

Ancestral Images, Cultural Protocols and the Politics of Digital Storage

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Restricted Storage at the National Film and Sound Archive of Australia
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