ABSTRACT
This book addresses the growing awareness of the historical collections of film and media devices in film archives and media museums. Over thirty experts reflect on the prominent roles media technologies play in a range of social, cultural, curatorial, and educational practices as well as in storage, presentation, and research strategies, looking beyond the more customary range of debates to consider postcolonial issues and include voices from the Global South. Together their contributions investigate how media awareness impacts not only the strategies of media use, but also the archival and curatorial consciousnesses of those working in film and media archives, and at science, technology and media museums, as well as educationists, filmmakers and audiences in general.
TABLE OF CONTENTS
part I|121 pages
Small and Portable
chapter Chapter 5|12 pages
Teaching from the Archive in Black-and-White 35mm
chapter Chapter 7|10 pages
How to Re-Activate the Endangered Archive of a Historical Science Film Festival
chapter Chapter 8|13 pages
The Kinora as an Intermedial Dispositif of Early TwentiethCentury Home Cinema
chapter Chapter 10|14 pages
Amateur Archaeologies and Hybrid Thinkering with the Kodak Reels Film Digitizer
part II|88 pages
Medium and Not Easily Portable
chapter Chapter 13|13 pages
Bending Efforts and Beams
chapter Chapter 14|11 pages
A Projectionist and His Percepto
chapter Chapter 15|11 pages
The LAPA Scanner and the Possibilities for Sovereign Film Preservation
chapter Chapter 17|13 pages
Caring for Obsolete Technology “in the Wild”
part III|103 pages
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