ABSTRACT
This book is the first step towards the development of a comparative history of the humanities. Specialists in philology, musicology, art history, linguistics, literary theory, and other disciplines highlight the intertwining of the various fields and their impact on the sciences. This first volume in the series The Making of the Humanities focuses on the early modern period. Different perspectives reveal how the humanities developed from the 'liberal arts', via the curriculum of humanistic schools, to modern disciplines.,The authors show in particular how discoveries in the humanities contributed to a secular world view, pointing up connections with the scientific revolution. The main themes are: the humanities versus the sciences; the visual arts as liberal arts; humanism and heresy; language and poetics; linguists and logicians; philology and philosophy; the history of history. Contributions come from a selection of internationally renowned European and American scholars, including Floris Cohen, David Cram, and Ingrid Rowland. The book offers a wealth of insights for specialists, students, and those interested in the humanities in a broad sense.
TABLE OF CONTENTS
part I|57 pages
The Humanities versus the Sciences
part II|87 pages
The Visual Arts as Liberal Arts
part III|35 pages
Humanism and Heresy
part IV|64 pages
Language and Poetics
part V|35 pages
Linguists and Logicians
chapter |20 pages
The Changing Relations between Grammar, Rhetoric and Music in the Early Modern Period
part VI|51 pages
Philology and Philosophy
chapter |13 pages
Manuscript Hunting and the Challenge of Textual Variance in Late Seventeenth-Century Icelandic Studies
part VII|36 pages
The History of History
