ABSTRACT
This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger.
TABLE OF CONTENTS
chapter |18 pages
Introduction
Title
The Discursive Spaces Between a History of Film Technology and Technological Experience
part Section I|93 pages
Experience
Title
chapter 4|23 pages
Walter Benjamin's Play Room: Where the Future So Eloquently Nests , or: What is Cinema Again?
Title
part Section II|67 pages
Study
Title
chapter 5|22 pages
Hitchcock, Film Studies, and New Media : The Impact of Technology on the Analysis of Film
Title
part Section III|67 pages
Theory
Title
chapter 8|17 pages
Cine-Graphism : A New Approach to the Evolution of Film Language through Technology
Title
chapter 9|26 pages
Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology
Title
