ABSTRACT
We live in an era of screens. No longer just the place where we view movies, or watch TV at night, screens are now ubiquitous, the source of the majority of information we consume daily, and a crucial component of our basic interactions with colleagues, friends, and family. This transformation has happened almost without us realizing it-and certainly without the full theoretical and intellectual analysis it deserves. Screens brings together scholars from a variety of disciplines to analyse the growing presence and place of screens in our lives today. They tackle such topics as the archaeology of screens, film and media theories about our interactions with them, their use in contemporary art, and the new avenues they open up for showing films and other media in non-traditional venues.
TABLE OF CONTENTS
part I|58 pages
Archeology and History
chapter |13 pages
Intersections between Showing and Concealment in the History of the Concept of Screen
part II|59 pages
Technology and New Practices
part III|60 pages
Theory
chapter |14 pages
The Screenic Image: Between Verticality and Horizontality, Viewing and Touching, Displaying and Playing
chapter |10 pages
The Concept of the Mental Screen: The Internalized Screen, the Dream Screen, and the Constructed Screen
part IV|44 pages
Intermediality
chapter |20 pages
Screens after Dos Passos's U.S.A. Trilogy: Current Answers for the Eyeminded Public
part V|28 pages
Dialogues
