ABSTRACT

Schools of art represent one of the building blocks of art history. The notion of a school of art emerged in artistic discourse and disseminated across various countries in Europe during the early modern period. Whilst a school of art essentially denotes a group of artists or artworks, it came to be configured in multiple ways, encompassing different meanings of learning, origin, style, or nation, and mediated in various forms via academies, literature, collections, markets and galleries. Moreover, it contributed to competitive debate around the hierarchy of art and artists in Europe. The ensuing fundamental instability of the notion of a school of art helped to create a pluriform panorama of both distinct and interconnected artistic traditions within the European art world. This edited collection brings together 20 articles devoted to selected case studies from the Italian peninsula, the Low Countries, France, Spain, England, the German Empire, and Russia.

part |28 pages

Introduction

Title

part |66 pages

Academies of Art, Churches, and Collective Artistic Identities

Title

chapter 3|22 pages

Mantua

Title
A School of History and Heritage (1752–1797)
Size: 4.83 MB

part |60 pages

Art Literature, Artists, and Transnational Identities

Title

chapter 4|22 pages

Conceptualising Schools Of Art

Title
Giovanni Battista Agucchi's(1570–1632) Theory And Its Afterlife
Size: 5.86 MB

chapter 5|20 pages

Claimed By All Or Too Elusive To Include

Title
The Appreciation Of Mobile Artists By Netherlandish Artists' Biographers
Size: 8.67 MB
Size: 7.88 MB

part |62 pages

Drawings, Connoisseurship, and Geography

Title

chapter 8|20 pages

Connoisseurship Beyond Geography

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Some Puzzling Genoese Drawings From Filippo Baldinucci's (1624–1696) Personal Collection
Size: 3.75 MB

chapter 9|20 pages

Arthur Pond'sArthur pond after Annibale (1705–1758) Prints In Imitation Of Drawings (1734–1736)

Title
Old Masters, Copies, And The National School In Early Eighteenth-Century Britain
Size: 12.83 MB

part |40 pages

Taste and Genius of Nations

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chapter 10|22 pages

‘Taste of Nations'

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Roger de Piles' (1635– 1709) Diplomatic Take on the European Schools of Art
Size: 8.46 MB

part |62 pages

Prints, Collecting, and Classification

Title

chapter 13|22 pages

Michael Huber's (1727–1804) Notices (1787) and Manuel (1797–1808)

Title
A Comparative Analysis of the French School of the Eighteenth Century
Size: 6.02 MB

chapter 14|16 pages

Chronology and School

Title
Questioning Two Competing Criteria for the Classification of Print Collections around 1800
Size: 3.94 MB

part |64 pages

Art Markets

Title

chapter 16|22 pages

The Print Collector Pieter Cornelis van Leyden (1717–1788)

Title
Art Literature, Concepts of School, and the Genesis of a Connoisseur
Size: 8.26 MB

chapter 17|20 pages

The Problem of European Painting Schools in the Context of the Russian Enlightenment

Title
Alexander Stroganoff (1733–1811) and His Catalogue (1793, 1800, 1807)
Size: 7.49 MB

part |68 pages

On Public Display in Picture Galleries

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chapter 18|20 pages

Everyman's Aesthetic Considerations on a Visible History of Art

Title
Joseph Sebastian von Rittershausen's (1748–1820) Betrachtungen (1785)on Christian von Mechel's (1737–1817) Work at the Imperial Picture Gallery in Vienna
Size: 4.67 MB