ABSTRACT

The Mongol period (1206-1368) marked a major turning point of exchange – culturally, politically, and artistically – across Eurasia.

The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Eiren Shea investigates how a group of newly-confederated tribes from the steppe conquered the most sophisticated societies in existence in less than a century, creating a courtly idiom that permanently changed the aesthetics of China and whose echoes were felt across Central Asia, the Middle East, and even Europe.

This book will be of interest to scholars in art history, fashion design, and Asian studies.

The Open Access version of this book, available at https://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial 4.0 license.

chapter |6 pages

Introduction

Title
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chapter 1|34 pages

Felt, Leather, Silk, and Gold

Title
On the Origins of Mongol Court Dress
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chapter 2|31 pages

Robing at Khubilai's Court

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chapter 3|24 pages

“Pulling Firmly Her Tall Hat Over Her Head”

Title
Women's Dress at the Yuan Court
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chapter 4|26 pages

Dress in West Asia during the Mongol Period

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chapter 5|24 pages

Global Reach

Title
The Mongols and the Latin West
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chapter |5 pages

Conclusion

Title
The Mongol Legacy
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