ABSTRACT

Narrative Objects is concerned with the conversations that arise when artists, scholars, and museum practitioners come together with historic objects. Its focus is a unique mammoth ivory model of yhyakh – the annual celebration of the Sakha people in the Russian Far East – which has been in the collection of the British Museum since 1867. Almost 150 years later, the model was loaned to the National Arts Museum of the Republic of Sakha (Yakutia) for exhibition and public engagement. As Sakha people revisit past histories and reconstitute cultural knowledge following decades of Soviet rule, this book considers narratives generated by the return of the model which speak to wider concerns in anthropology, material culture studies, and history about how knowledge is both suppressed and engaged with. The book also explores how art can be a focus for cultural pride, how skilled practices are entwined with oral histories, and how historic objects can contribute to wider processes of cultural revival. The chapters draw on fieldwork and museum and archival research in Sakha Sire, Paris and London.

Narrative Objects is particularly relevant to scholars of anthropology and museum studies as well as those with an interest in the subarctic and post-Soviet states.

*Winner of the Council for Museum Anthropology book award 2025*

The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

chapter |22 pages

Introduction

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Encountering a model
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part 1|58 pages

Places and History

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chapter 1.1|5 pages

Introduction

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chapter 1.2|17 pages

Narrative and voice

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chapter 1.3|15 pages

Silence and yhyakh

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chapter 1.4|19 pages

Yhyakh returns

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part 2|60 pages

Exhibition Narratives

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chapter 2.1|5 pages

Introduction

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chapter 2.2|19 pages

A model made for display

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chapter 2.4|16 pages

Narrating the model in Sakha Sire

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part 3|60 pages

Craftsmanship and Creativity

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chapter 3.1|4 pages

Introduction

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chapter 3.2|14 pages

Mammoth ivory as material

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chapter 3.3|17 pages

Carving as art and craft

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chapter 3.4|15 pages

Artistic futures

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The model and the aspiring artists
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chapter |8 pages

Conclusion

Title
Model of yhyakh as a narrative object
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