ABSTRACT

Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture.

chapter |11 pages

After the Beginning

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part 1|104 pages

After-effects

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chapter |20 pages

Bits & Pieces

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chapter |10 pages

City Limits

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chapter |22 pages

Deconstructing the Other

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chapter |19 pages

Easterns

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chapter |12 pages

Facts and Fictions

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chapter |19 pages

Genre

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part 2|94 pages

Coincidences

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chapter |19 pages

History Lessons

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chapter |9 pages

Instant Nostalgia

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chapter |18 pages

Jeopardy

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chapter |13 pages

Kaleidoscopic Worlds

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chapter |19 pages

Landscapes

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chapter |14 pages

Modernities

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part 3|103 pages

Strategies

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Narrativity

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chapter |14 pages

Old Timers

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chapter |20 pages

Picture Postcards

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chapter |12 pages

Questioning Categories

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chapter |14 pages

Riding the Wilderness

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chapter |12 pages

Spectacle

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chapter |16 pages

Time Travel

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part 4|88 pages

Practices

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Universal Ambition

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chapter |16 pages

Virtual Museums

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chapter |15 pages

Wild West Show

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chapter |14 pages

X-Rated

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chapter |14 pages

Young Wild Women

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chapter |9 pages

Zooming In, Zapping, Zooming Out

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