ABSTRACT

This necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The book is divided into three sections, the first of which presents a comparative study of approaches to the art world as practiced by Dickie, Becker, Bourdieu, Heinich, and Luhmann, among others. The second part focuses on the philosphical debates concerning ‘aesthetic experience’. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices.

chapter |8 pages

Introduction

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part One|131 pages

The Art World as a System

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chapter 1|13 pages

The Institutional Theory of George Dickie

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chapter 5|19 pages

Niklas Luhmann's System of Artistic Communications

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chapter 6|21 pages

How Art Worlds Help the Arts to Function

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part Two|55 pages

On Values and Functions of the Arts

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chapter 7|53 pages

What Philosophers Say that the Arts Do

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part Three|91 pages

How to Study Art Worlds

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Introduction

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chapter 8|34 pages

Foundations for the Functioning of Art Systems

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chapter 9|34 pages

How Distribution Conditions the Functioning of Art

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chapter 10|15 pages

How Aesthetic Values Become Contextualized

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