ABSTRACT

We've all had the experience of watching a film and feeling like we've been in a trance. This book takes that experience seriously, explaining cinema as a cultural technique of trance, one that unconsciously transforms our perceptions. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed techniques for testing, measuring, and classifying the mind that can be seen as a prehistory of cinema, one that allows us to see the links among cinema, anthropology, psychology, and cybernetics. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed techniques for testing, measuring, and classifying the mind that can be seen as a prehistory of cinema.

part |34 pages

Part I

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chapter 1|9 pages

Cinema

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chapter 2|6 pages

Cybernetics

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chapter 3|8 pages

Knots

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chapter 4|8 pages

To Whom it May Concern

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part |104 pages

Part II

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chapter 1|20 pages

Discretions

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chapter 2|39 pages

Depersonalizations

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chapter 3|20 pages

Deviations

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chapter 4|22 pages

Compressions

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part |88 pages

Part III

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chapter 1|25 pages

Mental Apparatuses

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chapter 2|10 pages

Psycho-Motor Activity

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chapter 3|8 pages

Psycho-Drama

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chapter 4|13 pages

Psycho-Technology

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chapter 5|28 pages

Psycho-Reflexology

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part |32 pages

Part IV

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chapter 1|30 pages

The Truth Won by Means of Film

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part |6 pages

Part V

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chapter 1|4 pages

After All: Return to Receiver

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