ABSTRACT

Soul of the Documentary offers a groundbreaking new approach to documentary cinema. Ilona Hongisto stirs current thinking by suggesting that the work of documentary films is not reducible to representing what already exists. By close-reading a diverse body of films - from The Last Bolshevik to Grey Gardens - Hongisto shows how documentary cinema intervenes in the real by framing it and creatively contributes to its perpetual unfolding. The emphasis on framing brings new urgency to the documentary tradition and its objectives, and provokes significant novel possibilities for thinking about the documentary's ethical and political potentials in the contemporary world.

part |39 pages

Imagination: Relational documents

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chapter 1|17 pages

Frames of the photograph

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chapter 2|15 pages

A documentary fable

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part |33 pages

Fabulation: Documentary visions

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chapter 3|12 pages

Making up legends

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chapter 4|15 pages

Acts of resistance

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part |36 pages

Affection: Documenting the potential

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chapter 5|12 pages

Moments of affection

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chapter 6|16 pages

The primacy of feeling

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chapter |3 pages

Epilogue

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Ethics of sustainability
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