ABSTRACT

Analysis of political advertising tends to give music short shrift - which flies in the face of what we know about the power of music to set a mood, affect feelings, and influence our perceptions. This book is the first to offer a detailed exploration of the role of music in US presidential campaign advertising, from Eisenhower to the present, showing that in many cases music isn't simply one element in the presentation of an ad's message - it's the dominant factor, more important than images, words, or narration.

chapter |21 pages

Introduction

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chapter 1|11 pages

The Age of Innocence: 1952

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chapter 2|5 pages

Still Liking Ike: 1956

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chapter 3|9 pages

The New Frontier: 1960

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chapter 4|7 pages

Daisies for Peace: 1964

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chapter 6|17 pages

Nixon Now! 1972

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chapter 7|5 pages

A Leader, For a Change: 1976

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chapter 8|6 pages

The Ayatollah Casts a Vote: 1980

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chapter 9|18 pages

Morning in America: 1984

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chapter 10|10 pages

Horton Hears a “Who?”: 1988

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chapter 11|9 pages

It's the Economy, Stupid! 1992

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chapter 12|6 pages

At Millennium's End: 1996

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chapter 13|7 pages

Bush v. Gore: 2000

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chapter 14|15 pages

Mourning in America: 2004

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chapter 15|9 pages

Whatever It Takes: 2004, continued

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chapter 16|10 pages

Yes, We Can: 2008

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chapter 17|10 pages

The 47% Solution: 2012

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chapter 18|17 pages

#DemExit: 2016

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