ABSTRACT

In From Grain to Pixel, Giovanna Fossati analyzes the transition from analog to digital film and its profound effects on filmmaking and film archiving. Reflecting on the theoretical conceptualization of the medium itself, Fossati poses significant questions about the status of physical film and the practice of its archival preservation, restoration, and presentation. From Grain to Pixel attempts to bridge the fields of film archiving and academic research by addressing the discourse on film's ontology and analyzing how different interpretations of what film is affect the role and practices of film archives. By proposing a novel theorization of film archival practice, Fossati aims to stimulate a renewed dialogue between film scholars and film archivists. Almost a decade after its first publication, this revised edition covers the latest developments in the field. Besides a new general introduction, a new conclusion, and extensive updates to each chapter, a novel theoretical framework and an additional case study have been included.

chapter |8 pages

Introduction to the Third Revised Edition

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chapter |16 pages

Framing Film (in Transition): an Introduction

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part 1|155 pages

Practice and Theory of (Archival) Film

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chapter Chapter One|103 pages

Film Practice in Transition

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chapter Chapter Two|49 pages

Theorizing Archival Film

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part 2|129 pages

Theorizing (Archival) Practice

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chapter Chapter Three|73 pages

Film Archival Field in Transition

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chapter Chapter Four|53 pages

Restoration Case Studies: Theorizing Archival Practice

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chapter |7 pages

Conclusions to the Third Revised Edition

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