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Book

The Piscator Notebook

Book

The Piscator Notebook

DOI link for The Piscator Notebook

The Piscator Notebook book

The Piscator Notebook

DOI link for The Piscator Notebook

The Piscator Notebook book

ByJudith Malina
Edition 1st Edition
First Published 2012
eBook Published 12 April 2012
Pub. Location London
Imprint Routledge
DOI https://doi.org/10.4324/9780203128169
Pages 256
eBook ISBN 9780203128169
Subjects Arts
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Malina, J. (2012). The Piscator Notebook (1st ed.). Routledge. https://doi.org/10.4324/9780203128169

ABSTRACT

'Theater legend Malina has written one of the most interesting studies of the avant-garde theatrical movement published in the last several years.' – CHOICE

Judith Malina and The Living Theatre have been icons of political theatre for over six decades. What few realise is that she originally studied under one of the giants of twentieth century culture, Erwin Piscator, in his Dramatic Workshop at The New School in New York. Piscator founded the Workshop after emigrating to New York, having collaborated with Brecht to create "epic theatre" in Germany.

The Piscator Notebook documents Malina’s intensive and idiosyncratic training at Piscator’s school. Part diary, part theatrical treatise, this unique and inspiring volume combines:

  • complete transcriptions of Malina’s diaries from her time as a student at the Dramatic Workshop, as well as reproductions of various of Piscator’s syllabi and teaching materials;
  • notes on Malina’s teachers, fellow students – including Marlon Brando and Tennessee Williams – and New School productions;
  • studies of Piscator’s process and influence, along with a new essay on the relationship between his teaching, Malina’s work with the Living Theatre and "The Ongoing Epic";
  • an introduction by performance pioneer, Richard Schechner.

The Piscator Notebook is a compelling record of the genealogy of political theatre practice in the early 20th Century, from Europe to the US. But it is also a stunningly personal reflection on the pleasures and challenges of learning about theatre, charged with essential insights for the student and teacher, actor and director.

'Piscator is the greatest theatre man of our time.' – Bertolt Brecht

TABLE OF CONTENTS

part |2 pages

Part 1: Weimar to The Dramatic Workshop

chapter |8 pages

Personal History

ByJudith Malina

chapter |1 pages

The Founding of The Dramatic Workshop, 1940

ByJudith Malina

chapter |1 pages

The Studio Theatre

ByJudith Malina

chapter |4 pages

The Teachers at Piscator’s School

ByJudith Malina

chapter |14 pages

The Students

ByJudith Malina

chapter |1 pages

My Personal Struggle to Enter The Dramatic Workshop 32

ByValeska Gert

chapter |11 pages

Lunar Bowels: An Audition Piece

ByJudith Malina

chapter |94 pages

Part 2: The Notebook

ByJudith Malina

part |2 pages

Part 3: The Ongoing Epic

chapter |1 pages

End of the Notebook and First Workshop Plays

ByJudith Malina

chapter |1 pages

Julian Beck

ByJudith Malina

chapter |1 pages

By Any Other Name and Maurice Schwartz’s Yiddish Art Theatre

ByJudith Malina

chapter |1 pages

Becoming a Director: A Confession

ByJudith Malina

chapter |1 pages

The Inspiration of Joseph Urban’s Architecture 127

ByEleanor Fitzgerald

chapter |7 pages

The Classes

ByJudith Malina

chapter |14 pages

The Plays

ByJudith Malina

chapter |1 pages

Kandinsky’s Great Insight

ByJudith Malina

chapter |2 pages

Piscator and the Audience

ByJudith Malina

chapter |3 pages

Objective Acting

ByJudith Malina

chapter |4 pages

Between Two Worlds

ByJudith Malina

chapter |1 pages

Piscator: Success and Failure

ByJudith Malina

chapter |4 pages

Piscator’s Return to Germany – and to Berlin 164

ByEric Bentley

chapter |3 pages

Eric Bentley

ByJudith Malina

chapter |3 pages

Piscator’s Influence

ByJudith Malina

chapter |24 pages

Piscator’s Influence: The Work of The Living Theatre

ByJudith Malina

chapter |4 pages

Afterword: Political Theatre, Theatrical Politics: Epic Theatre in the 21st Century

ByJudith Malina
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