Skip to main content
Taylor & Francis Group Logo
Advanced Search

Click here to search books using title name,author name and keywords.

  • Login
  • Hi, User  
    • Your Account
    • Logout
Advanced Search

Click here to search books using title name,author name and keywords.

Breadcrumbs Section. Click here to navigate to respective pages.

Book

Present Imperfect

Book

Present Imperfect

DOI link for Present Imperfect

Present Imperfect book

Stories by Russian Women

Present Imperfect

DOI link for Present Imperfect

Present Imperfect book

Stories by Russian Women
Edited ByAyesha Kagal, Natasha Perova, Helena Goscilo
Edition 1st Edition
First Published 1996
eBook Published 17 July 2019
Pub. Location New York
Imprint Routledge
DOI https://doi.org/10.4324/9780429302923
Pages 208
eBook ISBN 9780429302923
Subjects Social Sciences
Share
Share

Get Citation

Goscilo, H. (1996). Present Imperfect: Stories by Russian Women (A. Kagal, & N. Perova, Eds.) (1st ed.). Routledge. https://doi.org/10.4324/9780429302923

ABSTRACT

The selections in this Anthology overturn Soviet-era taboos with a vengeance. First published in the aftermath of Mikhail Gorbachev's liberalizing reforms, these stories revel in the basic commonalities of human experience even as they reassert a peculiarly Russian belief in the spiritual, mystical, and supernatural. They satirize Soviet literary canons while exploring a full gamut of styles, from neorealism to magico-folkloric fantasy. Included in the volume are works by well-known pioneers of the "new women's prose" as well as by less familiar talents. Bold in thematic conception and stylistic experimentation, their stories are socially engaged–in the classic Russian literary tradition–and yet at the same time intensely personal. While many of these writers share a feminist outlook, their perspectives are vastly disparate and often steeped in a peculiarly post-Soviet irony: In one story, for example, a girl with no money and no prospects of earning any turns to prostitution–and fails because of her lack of entrepreneurial talent. Yet common to all are recurrent and interwoven motifs of self-discovery, sexual power, emotional attachment, social alienation, and vulnerability to uncontrollable forces. The ambiguous ways in which these themes are played out reveal much about what has changed and what remains at the core of a complex culture in transition.

TABLE OF CONTENTS

chapter |10 pages

Introduction

ByHelena Goscilo

chapter |14 pages

March 1953

ByLudmilla Ulitskaya

chapter |15 pages

Piggy

BySvetlana Vasilenko

chapter |27 pages

Conscience Deluded

ByLydia Ginzburg

chapter |48 pages

The Three "Loves" of Masha Peredreeva

ByGalina Scherbakova

chapter |8 pages

The Game

ByIrina Polyanskaya

chapter |15 pages

Witch's Tears

ByNina Sadur

chapter |4 pages

Steps

ByKsenia Klimova

chapter |3 pages

A Marriage of Convenience

ByKsenia Klimova

chapter |20 pages

Cabiria from the Bypass

ByMarina Palei

chapter |29 pages

Kozlov's Nights

ByYekaterina Sadur
T&F logoTaylor & Francis Group logo
  • Policies
    • Privacy Policy
    • Terms & Conditions
    • Cookie Policy
    • Privacy Policy
    • Terms & Conditions
    • Cookie Policy
  • Journals
    • Taylor & Francis Online
    • CogentOA
    • Taylor & Francis Online
    • CogentOA
  • Corporate
    • Taylor & Francis Group
    • Taylor & Francis Group
    • Taylor & Francis Group
    • Taylor & Francis Group
  • Help & Contact
    • Students/Researchers
    • Librarians/Institutions
    • Students/Researchers
    • Librarians/Institutions
  • Connect with us

Connect with us

Registered in England & Wales No. 3099067
5 Howick Place | London | SW1P 1WG © 2021 Informa UK Limited