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Book

The Routledge Companion to Experimental Literature

Book

The Routledge Companion to Experimental Literature

DOI link for The Routledge Companion to Experimental Literature

The Routledge Companion to Experimental Literature book

The Routledge Companion to Experimental Literature

DOI link for The Routledge Companion to Experimental Literature

The Routledge Companion to Experimental Literature book

Edited ByJoe Bray, Alison Gibbons, Brian McHale
Edition 1st Edition
First Published 2012
eBook Published 30 September 2014
Pub. Location London
Imprint Routledge
DOI https://doi.org/10.4324/9780203116968
Pages 560
eBook ISBN 9780203116968
Subjects Humanities, Language & Literature
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Bray, J., Gibbons, A., & McHale, B. (Eds.). (2012). The Routledge Companion to Experimental Literature (1st ed.). Routledge. https://doi.org/10.4324/9780203116968

ABSTRACT

What is experimental literature? How has experimentation affected the course of literary history, and how is it shaping literary expression today? Literary experiment has always been diverse and challenging, but never more so than in our age of digital media and social networking, when the very category of the literary is coming under intense pressure. How will literature reconfigure itself in the future?

The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on:

  • the history of literary experiment from the beginning of the twentieth century to the present
  • the impact of new media on literature, including multimodal literature, digital fiction and code poetry
  • the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction
  • experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf.

Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future.

This volume is the ideal introduction for those approaching the study of experimental literature for the first time or looking to further their knowledge.

TABLE OF CONTENTS

chapter 1|18 pages

Introduction

ByJOE BRAY, ALISON GIBBONS AND BRIAN McHALE

part |2 pages

PART I The historical avant-gardes

chapter 2|15 pages

Italian Futurism and Russian Cubo-Futurism

ByJOHN WHITE

chapter 3|12 pages

The poetics of animism Realism and the fantastic in expressionist literature and film

Edited ByJoe Bray, Alison Gibbons, Brian McHale

chapter 4|14 pages

The surrealist experiments with language

ByPETER STOCKWELL

chapter 5|13 pages

The literary absurd

ByJOANNA GAVINS

chapter 6|14 pages

Spontaneity and improvisation in postwar experimental poetry

ByBENJAMIN LEE

chapter 7|12 pages

The nouveau roman and Tel Quel

ByDANIELLE MARX-SCOURAS

chapter 8|14 pages

Lettrism and situationism

ByTYRUS MILLER

chapter 9|13 pages

OuLiPo and proceduralism

ByJAN BAETENS

chapter 10|13 pages

Metafiction

ByR. M. BERRY

chapter 11|13 pages

Postmodernism and experiment

ByBRIAN McHALE

chapter 12|14 pages

Sexing the text Women’s avant-garde writing in the twentieth century

Edited ByJoe Bray, Alison Gibbons, Brian McHale

chapter 13|14 pages

Experiments in black African-American avant-garde poetics

Edited ByJoe Bray, Alison Gibbons, Brian McHale

chapter 14|17 pages

The limits of hybridity Language and innovation in Anglophone postcolonial poetry

Edited ByJoe Bray, Alison Gibbons, Brian McHale

chapter 15|13 pages

Avant-Pop

ByLANCE OLSEN

chapter 16|12 pages

Post-postmodernism

ByROBERT L. McLAUGHLIN

chapter 17|14 pages

Globalization and transnationalism

ByLIAM CONNELL

chapter 18|15 pages

Altermodernist fiction

ByALISON GIBBONS

chapter 19|14 pages

Manifestos and Ars Poetica

ByLAURA WINKIEL

chapter 20|12 pages

Post-criticism Conceptual takes

Edited ByJoe Bray, Alison Gibbons, Brian McHale

part |2 pages

PART II Experiment now: printed matter

chapter 21|17 pages

The expanded field of L=A=N=G=U=A=G=E

ByCHARLES BERNSTEIN

chapter 22|12 pages

Concrete poetry and prose

ByJOE BRAY

chapter 23|13 pages

Found poetry, “uncreative writing,” and the art of appropriation

ByANDREW EPSTEIN

chapter 24|15 pages

Words in visual art

ByJESSICA PRINZ

chapter 25|13 pages

Hoax-poetry and inauthenticity

ByPHILIP MEAD

chapter 26|17 pages

Unnatural voices, minds, and narration

ByJAN ALBER, HENRIK SKOV NIELSEN, AND

chapter 27|12 pages

Impossible worlds

ByMARIE-LAURE RYAN

chapter 28|13 pages

Experimental life writing

ByIRENE KACANDES

chapter 29|14 pages

“Rotting time” Genre fiction and the avant-garde

Edited ByJoe Bray, Alison Gibbons, Brian McHale

chapter 30|13 pages

Graphic narrative

ByHILLARY CHUTE

chapter 31|15 pages

Multimodal literature and experimentation

ByALISON GIBBONS

chapter 32|17 pages

Information design, emergent culture and experimental form in the novel

Edited ByJoe Bray, Alison Gibbons, Brian McHale

chapter 33|15 pages

Interactive fiction

ByN. KATHERINE HAYLES AND NICK MONTFORT

part |2 pages

PART III Experiment now: beyond the page

chapter 34|14 pages

Digital fiction Networked narratives

Edited ByJoe Bray, Alison Gibbons, Brian McHale

chapter 35|14 pages

Code poetry and new-media literature

BySTEVE TOMASULA

chapter 36|15 pages

Computer gaming

ByASTRID ENSSLIN

chapter 37|16 pages

Virtual autobiography Autographies, interfaces, and avatars

Edited ByJoe Bray, Alison Gibbons, Brian McHale
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