ABSTRACT
The presence or absence of photographs in museums of dead and injured civilians, victims of aerial bombing by both Allies and the Axis powers during the Second World War reflect both historical conventions and current political concerns, telling us as much about national identity today as they do about events in this period. Drawing on case studies in Germany, England and Scotland, this chapter will consider how and why images of death (and indeed, the incidents that brought them about in some cases) are excised from some museums but foregrounded in others. In so doing, it will consider such photographs within the context of the overarching display techniques of individual museums, in particular the text that accompanies them, and set these against the background of the development of historical narratives of bombing campaigns in the Second World War, including contemporary official attitudes to these events. At the same time, it will reflect on the ethics of such exhibits and the ways in which photographs of death during wartime have been used in the past. This is not, however, a chapter about the rights or wrongs of strategic bombing of civilians during the Second World War, a topic which has been covered in detail elsewhere,1 but more about how images of civilian deaths during bombing raids are used or avoided in the 21st century to promote national identity.
