The theatre's influence on the audience is composed of many elements. It includes the actor, the author, the director, the artists, musicians, electricians. All actors want to conquer their audience, but they go about it in different ways. One school seeks to attract the audience's attention with the genuine truth of the actor's artistic transformation on stage. This school happens to be most prevalent in France. There is a reconciliatory path: representational acting. There are two components of such an actor's work. The first one is creative. The second component consists of the most exact and strict implementation of the discovered external form. Some moments in such an actor's role are designed so well that they evoke his genuine emotions. The normal experience of a genuinely creative actor is a state of freeness, involuntariness, and naturalness. In short, it is the experience of continuous life onstage.