ABSTRACT
The expressive form through the film usually preserves the current moments by condensing time and space, which influences the point of view with its movement or changes from the film shooter. Synchronicity proposed by Swiss psychiatrist Carl Jung describes psychological associations as responses to realistic experiences triggered by the subconscious and the event in the given moment. The narrative in film is unidirectional contains a fixed temporality, which is like the actual experience recalled from past. The artworks in this series, which constructed by the interactive post-production 3D video technology, seek to figuratively render “the blended synchronicity between the current and the past” that has resulted from interactions between the past experiences of the first person subject and the real-time spatial interferences from the third person object. Cognitions for the two different narratives – unidirectional and instantaneous—are arranged in the same space-time. With the physical space-time relation reconstructed, viewers are given more freedom to interpret their own cognitive processes under the experience orders assembled with time sequences and interactive images, and through continual exploration of the instantaneously updated “pictorial metaphors”, the narrative text is explored, merged, and updated. Those textual units could be scattered and altered with its uniqueness, compositing into an interactive flowing narrative form, allows the viewer to have a variable experience each time. These experiences would be incorporated with visual elements inside the space of the video. The viewers will experience instantaneous changes, resulting in proliferated, reinforced, conflicted, absurd, surreal, and other alternative extended psychological spaces.
