The relationships between music and body can be thought of as the evolutionary aspects of movement and sound. The translation interface of human actions into actions read by the computer involves a long series of mediations ranging from the interpretation of the motor input, the understanding of activities through gesture translation interfaces, the processing of the information obtained, the graphic output through the screen, and/or the required technological response. The passage between natural interfaces and interpretation of human actions combined with calculation speed for processing that motor input sanction the technological evolution and its scientific-evolutionary advances. Critical studies reveal how Spatio-temporal representation are a relevant clue in sound perception, giving sounds and perceive from sounds significant references of localization in space. Therefore, the spatial clues determined by sounds constitute an essential basis for elaborating sound paths, musical representations capable of attributing greater fidelity and better quality to sound representations. There is a close correlation between physical movement and the process of musical enjoyment; it is known that the rhythmic structure of a given musical composition tends to arouse in those who listen to conscious or unconscious physical movements of accompaniment. In the explicit forms of sonorization or rational expression, numerous cultural determination elements can assume “on-demand” characteristics that make the sound act become the expression of a cultural thought or a communicative action.