ABSTRACT
The philosophical aspects of the historical and cultural direction of the theory of architecture affect a wide range of problems: the reconstruction of historical cities, the integration of historical and new architecture, the formation of the ideological basis of the creative methods of architects. The study of the contemporary architecture space reveals a pattern: innovative shaping in the field of architecture is closely related to the philosophical worldview. A critical analysis of contemporary culture allows us to identify significant links between contemporary art and architectural practice and current aesthetic concepts, as well as to establish scenarios for the interaction and integration of modern and historical architectural spaces in the diversity of the urban environment. The aesthetic concepts of postmodernism, the understanding of the role of space and time in post-culture are projected not only on the sphere of contemporary architectural shaping but also on the monuments of the past included in the life of the city: ensembles, palaces, memorial sites. As a result, there is an intertextual multidimensional communication system with complex historical and temporal patterns that often dissonant with the current trends of architectural and artistic creativity. Often there are successful forms of connection of these historical spaces, allowing to preserve the chronotope of the past in the form of historical reconstruction, organically connected with modern ways of organizing the urban and memorial landscape.
