ABSTRACT
The utopian paradigm underlying such novels is driven by principles such as happiness, perfection, longevity presenting itself as the «fictional ability to re-describe life» (Ricoeur. p. 501). Those play the major role within such a community whose targets are socio-politic (Utopia), religious-metaphysic (Città del Sole), and social-scientific (New Atlantis). They are the means on which every inhabitant is dependent upon the acceptance of himself as a part within the whole and closed system. Herein every community member is not given any opportunity to accept changes, to develop his emotions since he was not meant to be educated to welcome any external (space) and present (time) influence too (Lapouge, 1990, 213; 223; Freyer, 1936, 36).
