ABSTRACT

The drawing becomes a powerful theoretical and conceptual medium in which the autobiographical dimension, the sign as a form of communication, and the range of disciplinary models underlying it all merge together, transforming the drawing into an instrument of unheard-of potential. (quoted fromLuca Molinari, Drawing is dead. Long live drawing, in Domus 956, March 2012)

2 EXPERIMENTATION

Drawing the city also means gaining a familiarity with its places, attempting a spatial interpretation of architecture, establishing a relationship between ourselves and the empty spaces, the green areas, investigating the light and the colours of the urban landscape.