ABSTRACT
The current development of theatre and performance takes place in changing cultural landscapes, defined by new media technologies and new perceptional habits. Hybrids of theatre, dance, performance, installation, exhibition, film, and media art are gaining importance, often based on new production methods and institutions. Transdisciplinary theatre projects attract new audiences by deviating from the familiar interpretation of dramatic texts on stage. Thus contemporary dramaturgy is facing a challenge: to develop creative ideas in cooperation with authors and directors; to ensure the quality of theatrical work based on a fruitful communication process within the production team; to invent helpful concepts for season schedules and for cultural institutions in general; to enhance unconventional modes of exchange and discourse; to build up global networks and to use them effectively. Pragmatic tasks like management and public relations, promoting theatrical events in local and regional contexts are indispensable, but they can’t replace artistic skills.
