ABSTRACT
The array of media, venue types, and levels of audience engagement contained by performances today – be it the type to be seen/heard/interacted with/experienced on the proscenium stage, in a black box, inside a mall, in a gallery space, in the street, on the screen of a laptop, tablet, or mobile phone – calls for models of dramaturgies that take into account such structural diversity. Since theatre can take many shapes, the question arises if it’s possible to construct a framework for thinking about dramaturgy in the larger context of digital culture.
