ABSTRACT
My involvement in theatre has been with the body in motion. However changed or reduced the motion might have been or however elaborate the means used might have been, the focus was this movement. In retrospect this seems a constant value which was preserved. From the beginning I wanted to avoid the pulled-up, turned-out, antigravitational qualities that not only give a body definition and role as “dancer” but qualify and delimit the movement available to it. The challenge was to find alternative movement.
