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Many regard the Broadway productions of Tony Kushner’s play Angels in America: A Gay Fantasia on National Themes to be the artistic high point of AIDS theater. At the end of Part I: Millennium Approaches, an angel (Ellen McLaughlin) descends upon the main character Prior (Stephen Spinella). Part II, Perestroika, derives its name from the Russian word for “rebuilding” used during the last years of the Soviet Union.
DOI link for Many regard the Broadway productions of Tony Kushner’s play Angels in America: A Gay Fantasia on National Themes to be the artistic high point of AIDS theater. At the end of Part I: Millennium Approaches, an angel (Ellen McLaughlin) descends upon the main character Prior (Stephen Spinella). Part II, Perestroika, derives its name from the Russian word for “rebuilding” used during the last years of the Soviet Union.
Many regard the Broadway productions of Tony Kushner’s play Angels in America: A Gay Fantasia on National Themes to be the artistic high point of AIDS theater. At the end of Part I: Millennium Approaches, an angel (Ellen McLaughlin) descends upon the main character Prior (Stephen Spinella). Part II, Perestroika, derives its name from the Russian word for “rebuilding” used during the last years of the Soviet Union.