ABSTRACT
Originally perceived as an opaque compartmented box, as a secret treasury, the museum housed surprisingly varied collections, marvels, curiosities, antiquaria, libraries – the natural world alongside art and sculpture. It was in the first half of the nineteenth century that they became increasingly specialized in their subject matter: art, archaeology, the natural sciences, handicrafts. At the same time, the central architectonic theme of the museum was perfected: lateral windows, overhead skylights, cupolas and lantern lights provided natural light, while vestibules and grand staircases provided entry to the contemplative container.
