The Scandal of Shakespeare's Sonnets

Of all the many defences against the scandal of Shakespeare's Sonnets—Platonism, for example, or the Renaissance ideal of friendship—John Benson's is undoubtedly the most radical. In order to cover up the fact that the first 126 of the Sonnets were written to a male, Benson in his 1640 Poems: Written by Wil Shakespeare, Gent. changed masculine pronouns to feminine and introduced titles which directed sonnets to the young man to a mistress. By these simple editorial interventions, he succeeded in converting a shameful homosexual love to an acceptable heterosexual one, a conversion reproduced in the numerous reprintings of the 1640 Poems up through the eighteenth century. The source for this account is Hyder E. Rollins's authoritative 1944 Variorum Sonnets, the first edition to detail Benson's pronominal changes and titular insertions. ¹ Subsequent editions have reproduced his conclusions, for example John Kerrigan's 1986 edition which faults Benson for inflicting on the Sonnets ‘a series of unforgivable injuries,’ above all ‘a single recurring revision: he emended the masculine pronouns used of the friend in 1 to 126 to “her,” “hers,” and “she.”’ ² With varying degrees of indignation and amusement, critical works on the Sonnets have repeated the charge.