ABSTRACT
This chapter examines the architectural work of Wenceslaus Hollar (1607–77) in terms of its scale of representation, focusing on the role this opus has maintained in relation to architecture and the cities of the seventeenth century. It concentrates on the significance of small-scale images and argues that the craft that Hollar brought to England was critical for the development of architecture and urban design in London in the aftermath of the Great Fire. The chapter argues how early modern architectural representation brought together rich and nuanced cultural, geometric and empirical understandings of scale. The connection to late seventeenth-century urban design (and the work of Robert Hooke in particular) will be addressed, as it is still a lacuna in the architectural history of London.
