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      Chapter

      From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room
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      Chapter

      From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room

      DOI link for From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room

      From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room book

      From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room

      DOI link for From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room

      From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room book

      ByMAGDALENA J. ZABOROWSKA
      BookWalter Benjamin and Architecture

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      Edition 1st Edition
      First Published 2009
      Imprint Routledge
      Pages 24
      eBook ISBN 9780203865927
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      ABSTRACT

      From the Harlem ghetto of his childhood, to the affl uent salons of international literati he

      came to know in his later years, James Baldwin (1924-87) was perhaps the best-known

      African American author, intellectual, and civil rights spokesperson of the 1960s.1 Like

      many other writers at mid-twentieth century – amid the post-1945 tumultuous transition

      into the Cold War and Civil Rights struggles – Baldwin believed that literature had power to

      alter social relations by changing individuals and challenging racialized power structures.2

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