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From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room
DOI link for From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room
From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room book
From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room
DOI link for From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room
From Baldwin’s Paris to Benjamin’s: The architectonics of race and sexuality in Giovanni’s Room book
ABSTRACT
From the Harlem ghetto of his childhood, to the affl uent salons of international literati he
came to know in his later years, James Baldwin (1924-87) was perhaps the best-known
African American author, intellectual, and civil rights spokesperson of the 1960s.1 Like
many other writers at mid-twentieth century – amid the post-1945 tumultuous transition
into the Cold War and Civil Rights struggles – Baldwin believed that literature had power to
alter social relations by changing individuals and challenging racialized power structures.2