ABSTRACT
How does the deconstruction of the sign, the emphasis on indeterminism in cultural and political judgment, transform our sense of the subject of culture and the historical agent of change? If we contest the grand, continuist narratives, then what alternative temporalities do we create to articulate the contrapuntal (Said) or interruptive (Spivak) formations of race, gender, class, and nation within a transnational world culture? (Bhabha, 1992, p. 49)
