ABSTRACT
Henri Lefebvre’s incomplete project of rhythmanalysis, closely connected with his critique of everyday life, was published under the title Elements of Rhythmanalysis in 1992, a year after he died. It consists of seven loosely connected chapters and a separate study of the rhythms of Mediterranean cities. In 1985, he had published “The Rhythmanalytical Project,” co-authored with his wife Catherine Régulier.1
