ABSTRACT

Right at the end, Mr Becker, you made an interesting observation. Specifi-

cally: you said that those of us who were born later find it inconceivable that what happened during the Third Reich was not seen through. I have the

impression that, to this day, we historians – and this also holds for

the neighbouring disciplines – have not developed a satisfying explanatory

model, a theory that would suffice to make that which happened between

1933 and 1945 conceivable. And here, I would like to follow up on your

observation that the celebration of the ninth of November – the memorial

holiday for the heroes of the NSDAP – was musically framed in 1943 by the

Lied vom guten Kameraden. Now, very few might know that almost no other Fatherland song possessed such a long and deeply rooted tradition as this

hymn of comradeship on the front. The bases of this song are a poem by

Ludwig Uhland and a composition for a men’s choir by Friedrich Silicher

from the 1830s. In the Weimar era, it became – and this can be said without

exaggeration – the secret national hymn of the German nation. It had to be

present in almost all memorial celebrations for the fallen soldiers; and it

was precisely these celebrations in which the majority of Germans realised

their national identity in the shadow of the defeat in the World War. And this majority assumed, self-righteously, that the Germans had conducted a

defensive war against a world of malevolent enemies. In this thoroughly

beloved song, the front soldier who has succumbed to death in battle gave

his comrade the legacy of the further struggle on the way. Years before the

meteoric rise of the National Socialists, this song not only lent highly

effective expression to the revenge idea of anti-Versailles revisionism; on top

of that, it elevated the German warrior to the sphere of divinity. It is striking

in my opinion that this hymn should have formed the heart of the Fatherland ritual. The hymn demonstrates it splendidly: in the planning of their

celebrations and festivals, the National Socialists preferred to fall back on

the established symbols of the Fatherland tradition. Apparently, a much

broader national consensus could be established around it than around such

specifically National Socialist thought as the race theory, for example.