ABSTRACT
Tempest and Peter Greenaway’s Prospero’s Books can be described as filmic. But the majority of the commercial Shakespeare films released since Henry V remain realist productions grounded squarely in the conventions of naturalistic cinema.
Tempest and Peter Greenaway’s Prospero’s Books can be described as filmic. But the majority of the commercial Shakespeare films released since Henry V remain realist productions grounded squarely in the conventions of naturalistic cinema.